John Atkinson, who brought us the unforgettable Johnnyboy in his powerful debut novel Timekeeper (2007), returns with three, rough-cut, equally memorable characters in the first book to be published under Fisher King’s new il piccolo imprint.

Coles Bleu, Bennett Morgan and Francis Lovain grew up together in a small town in the delta country around Lake Pontchartrain. Coles grew into a 300-pound, brute-force sheriff who rules his county with an iron hand; he’s both loved and feared, and he likes the South because that’s where people know how to work together and get stuff done. Bennett’s family had money, and as a stockbroker, Bennett still has it, along with his Rolex, large house, analyst and a powerful new convertible. The troll-like Francis, who lives in the swamp, sports platinum-capped teeth and a face not even a mother could love.

The swamp, and its Put-In-Ditch channel where the bodies are being found, live and breathe through Atkinson’s haunting word pictures as a wonderfully chilling location for this tightly written thriller. Francis loves the swamp, Bennett fears it, and Coles views it pragmatically as the place he went fishing as a kid and the place the murder investigation is luring him now.

“As adults, Coles, Ben, and Francis knew the catch basin held no prejudices when it came to nature’s rules. A wrong move could cost a life. Gambling with death was fun when they were boys with boundless courage. But as Ben grew older he was less inclined to do reckless things.”

Bennett thinks Francis knows something about the murders because Francis knows everything about the bayou. While Coles is inclined to give their strange childhood friend a little more slack, he concedes that Francis’ friendship with the Goocha, the shaman of the swamp, is disturbing. Plus, there aren’t a lot of leads and the last thing Coles needs is either New Orleans reporters or the Feds sniffing around his domain asking questions and causing trouble.

The killer believes he is doing the Lord’s work, showing wayward women the error of their profession. Like the other predators in the bayou, he kills with cold efficiency because the injunction is built in to his psyche. Then, too, there’s the voice inside his head urging him to move ahead with the Holy task, but without his disparaging, profane language:

“Speak kindly, boy, you hear?”

“I hear. Ready or not, I’ll teach her a thing or two.”

“My child, that’s much better. Now mind your mouth.”

When, or if, this killer is stopped, depends greatly on the strengths and weaknesses of three characters whose lives are more obstinately tangled together than the vines in Red Bayou. These men, the novel’s rich location and non-stop action, and the liberal doses of off-beat humor make this dark mystery a satisfying experience.
More Deaths Than One by Pat Bertram

Picture this: You return to the U.S. after an extended overseas trip and who do you see? You. Not in the mirror, but out there in the world. And bad guys are looking for you, the you in the mirror while the other you goes about his life with the past you remember.

Welcome to the world of Robert Stark, who goes by the name "Bob," the starkly mannered, dream-haunted protagonist of Pat Bertram's intricate novel about a man who returns to the United States after 18 years in southeast Asia only to find that he appears to be under investigation by a shadowy government or quasi-government agency.

Welcome to the world of Kerry Casillas, the good natured and intuitive-reader-of-people waitress who works the graveyard shift at the Rimrock Coffee Shop in Denver where Bob Stark comes to escape from his nightmares.

It will not take you long to guess that Bob and Kerry are likely to become increasingly significant in each other's lives. In this matter, your guess will be correct. You will be tempted to guess again, primarily about where this mystery is heading and how, logically, there can be more than one Bob Stark, and just what it is that the man sitting there in the Rimrock Coffee Shop reading his mother's obituary in the newspaper has or has done that might place him within the cross-hairs of increasingly rough operatives.

The obituary is problematic, for Bob Stark's mother died and was buried years ago. Keeping himself well hidden within lilac bushes, Bob attends the burial service at Mountain View Cemetary. His brother Jackson is there. Robert Stark is also there, married to Bob's former girlfriend Lorena. "Bob stared," writes Bertram. "The other Robert Stark seemed to have aged a bit faster than he, seemed more used, but the resemblance could not be denied. He was looking at himself."

Also there, just past the casket is a new headstone for Bob's long-dead mother. Bob wonders "What the hell is going on?"

When you reach the end of the book, you will see just how perfectly the puzzle pieces of Bob Stark's dangerous and shattered world fit together. Until then, you will ask the same questions Bob Stark is asking, and you will experience the same limbo he feels as the answers elude him. All of this will happen because Bertram has crafted a suspenseful story where everything that's real isn't what it seems.


So Good in Black by Sunetra Gupta
(Published by Women United, New Delhi, India, in February 2009, the novel is available via Scholars Without Borders)

When American travel writer Max Gate returns to India after a 15-year absence to attend the funeral of a prominent advocacy journalist and activist named Damini who died in a mountain cycling accident, he stays at the seaside villa of long-time friend Byron Mallick. A high-profile industrialist and a student a student of history with a near-anachronistic fondness for the pursuits and mannerisms of the days of British colonial rule, Byron is rich, expediently amoral, utterly charming, and likely to be charged with murder.

I think I know why you are here, says Byron.
I was afraid you would say that, I reply.
It’s not what you think it is, Max, he says.
I haven’t had time to form an opinion yet about any of this, I confess to him miserably.
You never were a man for having opinions, were you? says Byron Mallick.

“So Good in Black,” Sunetra Gupta’s first novel in ten years, is character-driven literary fiction, featuring a non-linear plot, Spartan passages of stylized and pointed verbal jousting between characters, and highly evocative descriptive passages. While “So Good in Black” relies much less on a stream of consciousness approach than Gupta’s debut in “Memories of Rain” (1992), the characters’ interior landscapes nonetheless take center stage in this novel.

As the characters assemble at the villa on the Bay of Bengal on the eve of the transit of Venus in June, 2004 (the first such transit since 1882) and as information about Byron’s prospective complicity in Damini’s death slowly comes to light, the primary focus of the novel is on the all-consuming and compelling past, as narrator Max Gate tries to understand what happened to him in Calcutta and what it might signify.

Max and those who are important to him have been rather like planets circling the dark sun that is Byron Mallick, their orbits and seasons eternally under his influence: Piers O’Reilly, Max’s caustic friend and former brother in law; Ela, with whom Max remains obsessed years after their affair; Ela’s father Nikhilesh, whom Byron has known since their school days; Max’s former wife Barbara, still in his life; and Ela’s cousin Damini whose death will forever alter the Mallick solar system whether or not Byron is charged with murder. In some traditions, a transit of Venus occurs with a momentous break-through of consciousness.

The novel’s title is taken from “There Goes God,” by Neil and Tim Finn on the 1991 “Woodface” album released by Crowded House. According to the lyrics, God doesn’t like “Beelzebub because he looks so good in black.”

Byron views India’s first Governor General Warren Hastings (1732-1818) as his role model in terms of philosophy and temperament. As Byron asserts his innocence, those at the villa see, with and without cynicism, a parallel to Hastings’ impeachment, trial and exoneration. They’ve heard the story to often,

“So Good in Black’s” complex back-story of interrelationships is told in snippets of  conversation and alternately clear and ambiguous fragments of memory. The resulting history of Max, Byron, Piers, Ela, Nikhilesh, Barbara and Damini is impressionistic and dreamlike in affect—an archetype of obsession and regret. Gupta’s most powerful work to date challenges the reader with the dynamic and often contradictory shadows cast by friendship across the illusory counterpane of certainty and time.


Professor Angelicus Visits The Big Blue Ball
by L. B. B. Ward

"It was the first day of spring, and it was Saturday. Zak didn't have to go to school. From his bedroom window he could see two robins poking at the wet spring grass. The trees were beginning to bud and he couldn't get dressed fast enough! This was the perfect day to head down to the river and go fishing."

So begins a fishing trip for Zak, his friend Ivy, and his dog Ziggy that becomes a journey around the world and into deep space in L. B. B. Ward's extraordinary middle readers novel "Professor Angelicus Visits The Big Blue Ball." The plan of the day changes when Professor Angelicus arrives in a large bubble from the planet Quantia in search of pure water.

When Zak says there's plenty of water in the river, the professor asks, "Do you children call that river clean?" Zak responds, "Well, it's cleaner than it was."

But the professor's pipe, from which he blows bubbles that can whisk a person anywhere in the universe, requires pure water. And so the quest begins. Even though Zak promised his mother he'd be home for dinner at 6 p.m., he and Ivy and Ziggy fly around the world with a lot of help from birds, fish, and other "Sharelings" on a quest as vital as a quest for the Holy Grail. Without the kind of water the earth was once known for throughout the universe, the professor's pipe cannot create a bubble powerful enough to take him all the way home in time for a Rainbow Festival that's held only once every billion years.

This book works well on multiple levels. The story itself sparkles with life and mystery and dangerous moments. Middle readers will enjoy reading this book just for the adventure. Parents will find in Ward's work, a wonderful read-aloud story for their children (starting at age three) at bedtime.

The magic of Professor Angelicus' bubble ship allows Zak and Ivy to understand the speech of animals who welcome the travelers into their habitats. In the process, two everyday kids (along with the book's young readers) learn what the dog already knows, that these habitats and the creatures who call them home are inextricably linked together and that humans, the Earth's "Guardian Residents," have let things slip in the blue ball's cleanliness department. Those who want to work together to clean it up are called "Sharelings."

There's a gentle but clear environmental message in this book that lives and breathes dynamically within the storyline. Ward's prose flows like sweet water from a deep well, creating an exciting and memorable story. This is a book that you and your children will read many times. It will be shared with friends and their friends and then the dust jacket will be lost, the cover will get dirty, and some of the pages will become frayed--just like the other classics on the household's shelf of treasures.

Within the Law by Chelle Cordero

"The woman, an attractive blonde, seemed scared when she first saw him approaching out of the shadows. She tried to stand again and he watched as her ankle turned in and she groaned. Her knee-length tan skirt showed dark smudges from the dirty sidewalk."

When Tom Hughes helps Alli Davis on a dark street in the bad part of town, he definitely wants to know more about her even though they're like ships passing in the night. But, the following day, he finds her in a courtroom. She's part of the team defending the man who killed his fiance Joyce eight years ago. What manner of cruel fate is this?

A state trooper, Tom is in Rome, New York to identify his high school class ring for the district attorney, the ring Joyce was wearing when she was murdered. When police arrested Roy Dunlop on another charge, they found the ring and tied it to the unsolved crime.

Readers of Chelle Cordero's "Forgotten" will remember the supporting role Tom Hughes played in the lives of his cousin Caitlyn Smythe and her lover Brandon Price. This time out, all three characters are back, but Tom's the one standing at the center of another Cordero whirlwind of gut-wrenching danger and prospective star-crossed love.

We know from the back-cover blurb that Tom falls in love with Alli and that he "pursues her despite a false arrest, kidnapping and attempt on his life." The plot of "Within the Law" is intricate, the twists and turns are unexpected, and the writing is compelling.

The needle on this novel's tachometer remains in the red zone throughout a high-speed, 288-page ride.
Youssef and his mother Rachida live in a one-room house with no windows and a tin roof held in place by stones in a Casablanca slum. When it rains, the roof leaks. When it’s not raining, they live in the yard beneath a sky as spacious as Youssef’s dreams.

When it rains, they carry their life back inside the whitewashed house: the divan, the food bowls, the clean clothes off the line, and the black and white photograph of his father that hangs in the yard above the divan. The young man who forever smiles out of that old photograph was in his 20s, not so many rears older than Youssef is now as he prepares to enter college in Casablanca.

He thinks often about the man in the picture who died in an accident, his mother told him, when Youssef was two; he was a well-respected man, a dedicated school teacher and, as Youssef learns a few pages into Laila Lalami’s powerful debut novel, an invention.

As Rachida’s secrets unravel, the following facts emerge: Youssef is the product of his mother’s affair with a married man, a man who is not only very much alive, but a wealthy and influential Casablanca businessman. While his doting mother is content to play the role of the grieving widow, as Youssef sees it, and to eke out a living in a slum, he is now free to escape from all that’s been denied him into a life of achievable dreams.

Against his mother’s wishes, he leaves the windowless house to discover his true identity. While she prays her son will make something of himself by staying in college, he has set his sights on greater things. He leaves Rachida’s whitewashed house with food for thought. When the rains came, a volatile Islamic fundamentalist group called “The Party” brought aid to the flooded slum while the state handed out promises it would not keep.

Readers of Lalami’s collection of short stories released in 2006 may reflect on the title of that highly acclaimed volume, Hope and Other Dangerous Pursuits, as Youssef makes his way through a labyrinth populated by corrupt commercial interests, inept government employees, “The Party,” and news media with a spider web of conflicting agendas.

Lalami’s prose and plot in Secret Son are devoid of moralizing and sentimentality, and therein lies the power of her story. The story is not unkind; it’s ardently realistic. While the conclusion of Youssef’s essentially illegitimate journey into the treacherous world outside his claustrophobic station is by no means predictable, it’s as inevitable as Icarus’ fall from the spacious sky.
The March of Books
Copyright (c) 2003-2008 by Malcolm R. Campbell. Some images copyright (c) 2003-2009 by www.clipart.com. Copyrights for tips are retained by their respective contributors. All Rights Reserved.
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Telex from Cuba, So Good in Black, More Deaths Than One, Journey into the Past, Secret Son, Professor Angelicus Visits the Big Blue Ball, Within the Law, Dark shadows Red Bayou
The castle ruins and wine villages of Germany's Palatinate region comprise the setting for a sudden romance between San Francisco architect Heather Wilson and retired business consultant Johann Hess in Abe F. March's charming and gently told "Journey Into the Past."

Heather Wilson needs a long vacation after finishing a massive project and, while she has tickets to Tahiti, a poster-sized photograph of Landeck Castle in the cubicle of one the firm's new employees suddenly changes her travel destination and, quite possibly, her life. The twelfth-century German ruin captures her architect's eye. But the man in the photograph, the new hire's uncle, has captured something else, not her heart exactly, but in some odd way her soul; and that night she dreams of another woman in another age almost as though she was there.

Heather flies to Frankfurt and drives two hours to the castle and before she can cross the wooden bridge and go inside, there he is, as though the photograph has come to life. She introduces herself and mentions that she knows his nephew, and soon he has agreed to show her this and other castle ruins along the famous wine route. Their sudden attraction to each other defies logic and--when they touch certain parts of stone walls--the synchronicity of their meeting and their mutual interest in the ruins also defies time.

Abe F. March's characters come from different backgrounds. Wilson is a young, decently divorced professional with an American take-charge attitude. Hess, who has thoroughly integrated his habits and focus into the lifestyle of the region, is older and conservatively formal. He also has an institutionalized wife who has been in a coma for five years. As they tour the region, they discover a strange link between their trip and the events that happened long before they were born.

They have a mystery to solve and they are part of the solution. March, who knows the setting of his story well, has an eye for detail and a veteran storyteller's approach to a good mystery. Why such urgent passion? What's the sense of the dreams and visions of two long-ago star crossed lovers? Heather and Johann's search for answers represents the kind of quest that cannot be denied even though following it through may create a complicated tangle of their lives. March knows how to pull readers into an exciting world and keep them there.
Journey Into the Past

by

Abe F. March

Dark Shadows Red Bayou
by John Atkinson
Secret Son
by  Laila Lalami

Algonquin Books of Chapel Hill

from POD Book Revies and More
Satire With A Twist
Somebody is killing prostitutes in the swamp.

To Sheriff Coles Bleu, the “job was everything; never mind the formalities of protocol. By his rules, he always got the bad guys. His office achieved the highest crime-solving rate in Louisiana. Now, that record was being threatened.”
Telex From Cuba
by Rachel Kushner
2008 National Book Award Finalist Citation:

"A profound and lush evocation of 1950s’ Cuba, this debut novel is the first to tell the story of the American executives who were driven out by Castro. Though the chief observers are two keen-eyed American children, Kushner masterfully portrays the complex and varied forces of revolution through the perspectives of dictators, workers, the Havana underworld, the revolutionaries in the hills, and the Americans in denial that their colonial paradise is doomed."
Rachel Kushner's well-researched debut novel about American nickel mining and sugarcane interests in Cuba's former Oriente Province during the years leading up to Castro's rise to power is a masterpiece quite simply because the author didn't take the easy way out.

Her trips to Cuba, her family's history and her interviews of multiple sources could have led to a commercial novel with a linear plot and a third-person restricted point of view. She could have plucked anyone out of her rich cast of characters and fashioned a credible story. Such a story would have read as realism, perhaps even as history, and given her writing skills, the novel probably would have done well.

Kushner took a risk when she stepped outside the domain of plot-driven, photographic realism and chose to allow multiple characters to tell portions of her story via a character-driven, theme-driven kaleidoscopic structure that is often a hallmark of literary fiction. Kushner has given her readers more of an impressionistic view of the well-off and largely isolated Americans in Cuba rather than a news story or a textbook view.

The result is a very rich immersion into the mindset and the culture of the time and place and people, much of which we learn two characters whose wouth is being defined by the swirl of events, K. C. Stites and Everly Lederer. The end of their childhoods is symbolic of the end of the Americans' little paradise and sets the tone for this beautifully done novel.
Coming in August from Vanilla Heart Publishing

Jock Stewart and the Missing Sea of Fire

by

Malcolm R, Campbell

Mainstream humor with a dash of mystery... A throwback to Hollywood’s film noir reporters, Jock Stewart is out of touch with the looming world of digital journalism.

While he goes out of his way to mock those in authority by pretending to kowtow to them, he admits he does his best work by “being an asshole.” A mix of Don Rickles and Don Quixote, Stewart is the man for the job when the skirts are up and the chips are down.
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Demon: A Memoir

by Tosca Lee